From back into a front

After I posted this photo on flickr,
so far


Monica of Happy Zombie wrote:  "I would call that a front of a quilt - too beautiful to hide in the back!"  

Suddenly the gears in my head started turning and I realized that the quilting pattern I was designing for the front of the quilt would totally ruin the back of the quilt. 

And here I was, trying to be diligent in finishing projects on my list and I had an accidental extra quilt in my WIP's.  As I added some more strips to the quilt, I pondered.  I designed that "backing" for Henry.  The red, yellow and orange make up a "fish" in the center.  The blues are water (of course) mixed with bubbles (possibly Henry's second love after water).  If I turned it into a twin sized quilt, the scale of the center block would be too small.  So I held it up on the wall in his room and it is just right as a modern splash of color on his wall. 

quilting

So, there you have it.  Another day or two of concentrated quilting with the walking foot and it'll be ready for a binding. 

Though, you'll note that I said "concentrated" quilting.  I'm now distracted by hexies again....

A little off balance

I have set myself a huge challenge for the Farmer's Wife Quilt-a-long.  I've opened up my entire stash to this project so I can sew with whatever inspires me.  I have a lot of difficulty visualizing modern fabrics while I'm looking at the dusky colors in the book, so that is an extra layer of difficulty.  I'm also figuring out the math for the block pieces so I don't have to use the templates. 


And, lastly, I'm trying to make the color and fabric combinations in my blocks not match.  This is hard work!  I have to fight my natural impulse to grab the matching fabrics and purposely make myself uncomfortable.  I have a mix of text fabric, modern designers, Japanese fabrics and 30's reproduction fabrics.  I admire the modern quilters on flickr that put different fabric lines and colors together that I'd never think of.  So I'm trying to imitate that by shaking up my own style and pushing my own boundaries.  I hope that mixing these styles in lots of different blocks means that the whole top will come together better.  We'll see....


Anyway, here is my next batch of Farmer's Wife blocks:


farmer's wife sampler, block 6




farmer's wife sampler, block 9




farmer's wife sampler, block 12




farmer's wife sampler, block 68




farmer's wife sampler, block 111




farmer's wife sampler, block 7

(I wish that reds, oranges and purples photographed better with my camera.)




 
So, that is the task I have in front of me.  How do you like to play with color?  
How do you challenge yourself?

I really am curious.

Another New Project

I'm incorrigible. I look at my WIP's and I want some of them to be finished, but I'd rather go start on a new project or dream about a new block design.

So, for my friend Tina's birthday, I decided to break out my Anna Maria Horner Good Folks and Kona white and start making some word blocks. I'm not completely clear with where this quilt is heading--more words? crazy sampler? paper pieced pictorial blocks? either way, these blocks fit her style and I look forward to what ideas come next.

name block

name block 2

Busy with the farmer

I took three weeks off of the Farmer's Wife Quilt-a-long.  I needed a break to work on some other projects.   Then, in the last week I have caught up and then some.  I'm having a blast coming up with fabric combinations and using some of my favorite fabrics that I've been hoarding for a special occasion.  I'm also really enjoying making different blocks every time.  Oh!  And it turns out that I like figuring out the math in order to rotary cut the pieces.  Who knew? 


farmer's wife sampler, block 70


farmer's wife sampler, block 48


farmer's wife sampler, block 76


farmer's wife sampler, block 41


farmer's wife sampler, block 31


farmer's wife sampler, block 93


farmer's wife sampler, block 92


farmer's wife sampler, block 69



farmer's wife sampler, block 81


farmer's wife sampler, block 84


My very favorite block so far is the Swallow block. I love the fabrics, the contrast, the asymmetry. A close second is the Sawtooth block.

Have you fallen under the spell of any of your craft projects? I'd love to hear about it :)

More sketchbook


for Lauree, originally uploaded by quirky granola girl.
I recently started a new quilting bee with a friend. Lauree (locodowo) and I invited a bunch of sewists that we admire for their creativity, design sense, fabric stash, etc. The cocorico bee will focus on original block design, paper, improv, and curved piecing as well as applique and embroidery.

Anyway, the first month is Lauree's and she requested kitchen shelves and kitchen organization. My first idea was scooped up by another member of the bee, so i'm posting this sketch now. KitchenAid implements. I'm going to use thread sketching for the wire whip, paper piecing for the dough hook and I might try reverse applique for the mixer paddle. We'll see how it works out...

Block Design Process

I don't often do process posts that show my sketchbook because my drawings are very raw and it makes me uncomfortable to let people peek at that part of it all.  But, I'm going to be brave today.  :)

Here is a sketch of the strawberries.  I darkened the lines so you could see them.

The main purpose for redesigning this block was that I wanted two of the berries to touch.  I also wanted to consider putting the strawberries on a tablecloth or shelf or in a bowl, so I wanted a berry block without the outside border on it. 
rough drawing-#2



Now I start to draw my seam lines.  I draw the first four lines to enclose one little block.  
My berry block will be the odd shape on the inside of those lines.  Outside those lines will be the 
border/sashing/background that I'll worry about later.
lines 2



Then I continue drawing lines until I'm comfortable with the shape.  It still looks a little blocky, but that is going to be the charm of my berry block.  Can you see how the straight lines start to approximate the curves, but still leave a little something to the imagination?
lines 3



Okay, now I'll return to yesterday's drawing after it was cleaned up with a little 
eraser and colored pencil...
first drawing



and I'll cut out my first berry block.
strawberry not numbered



The hardest part I had to learn about paper piecing was putting the numbers on my own blocks.  

The trick that worked for me was NOT to look at the portions of paper being numbered.  
Instead, I look at the seams or lines between those numbers.  

If you look below at my "L" block, and look only at the seams, you can probably figure out 
which order to do the seams in to minimize any complicated seams. 
"L" not numbered




Here is the same block with priority of seams.  I did this in my head before putting numbers on the block sections, but I thought that this might help you see it better. 
"L" seams numbered



Using that seam priority, these are the section numbers I came up with.  Yours may differ slightly. 
"L" numbered



Let's look at that strawberry again.
strawberry not numbered



Now choose which seams need to go first or which needs to go last.  
You can work forward or backward.  

This is a representation of how I see it in my head.
strawberry with priorities



And here is how I numbered it.  Your numbers, again, may differ slightly.
strawberry with numbers



For a more complicated example, here is the "e" block I did a few weeks ago.  
This one needs to be cut in sections as I number it.
"e" not numbered



These are the sections that I cut.
"e" cut




On my original drawing, I put hatch marks on the lines that need to be cut and then I numbered the drawing a little differently.  Since there are three sections, there are three #1 pieces.  Then I numbered ALL of the second priority pieces as #2's.  Then I did the same for the third priority pieces.  After the #3's are sewn on, then all of the block chunks have to be sewn together before the fourth priority pieces can be sewn on.  Lastly, after the #4's, the rest of the numbering continues with one piece at a time.  
"e", 1st drawing



Here are the cut sections with all of the numbers in place. 
"e", cut and numbered



Is that clear as mud?  I'd suggest you take some time to let this sink in.  
I threw three different numbering system options at you.  
We numbered the seams by priority.  
Then we numbered each piece, one at a time.
And, then we numbered the pieces by priority.  

I hope that giving you different options will let you choose the system that makes sense for you.  
Let me know how it works. 
I'd also be curious if you have a fourth or fifth way of thinking about how to 
number your blocks, so comment away.  :)


Lastly, If you try any of these blocks, remember that you have to reverse the image before you paper piece them. I design and number my blocks before flipping the image because it is easier for my brain to see how it will come together. I also keep one copy of the pattern (that is not flipped) on my sewing table so I can refer to it as I put the block together. Having the final image as a reference helps me a lot.

Happy sewing and designing and block dreaming to you!